Otherwise, it's been slow going. Mostly, I've written notes, suggestions on how to revise that may or may not become obsolete as I finish chapter after chapter. I'm mostly done with the Peter Ross of SPEC scenes, though that inspired new idea for 1.1 may get me changing the Ross scenes in 5.6, 6.2, 6.6, and 21.6 yet again. I hacked the stylesheet so that I have the High Corporate characters speaking as if they were gods on Olympus, with Chapters 1, 2, 5, and 6 edited accordingly.
And distractions. Not from books, videogames, or TV shows, but entirely new stories. Three short stories plus ideas for one more story and two books. So of course I wrote them down. Here's the opening sentences:
- He was about to scream the Shahada and attack when the guitar hit his face with the force of a hundred fists.
- These days only headless nude waitresses served the tony restaurants where Chinese Communist Party (Holdings) Limited executives power lunched.
- Anastasia Blaise was born with the anonymous beauty of the surgically Resculpted and the aristocratic gift of no conscience.
Meanwhile, for Spanner R5 I'm working the two main villain-related themes more into the story: the death of capitalism (the Corporates) and "pride goeth before a fall" (the revolutionary hubris of both Corporates and Patriots). One more new R5 theme I'm kicking myself for not coming up with during the first four drafts: the class divide between "freemen" and "workers" in which "freedom" is defined in Platonic and therefore aristocratic terms as freedom from work. Right now I'm editing a scene in 1.2 where I plan to introduce the new theme. It continues...