But I have in fact done some editing. After the Intro, Interlude 0, and the two introduction chapters, every chapter either has its own plot or otherwise fits into the main plot. For example, the new Chapter 3 (the first chapter of the flashback thread, now called "The Emergent Pattern") used to be episodic like the two chapters before it, but now has a coherent plot involving a choice so pivotal that the character who chooses it seems to be the real protagonist for most of the story, through both the flashback and present-time sections, a choice reinforced in the last two chapters of the flashback section only to be undermined at the very end. The new Chapter 10 (the present-time chapter "Escape to New York"), by contrast, is not relatively self-contained but carries on two sets of tightly intertwined threads from the previous chapter (8: "Hunting the Hunters") to the next (12: "Last Train to Grand Central"), one involving the villains in New York, the other involving the heroines speeding from Seattle and Los Angeles toward New York. Looking over the plot, it seems the flashback chapters are more episodic and the present-time chapters are more serial.
The other thing I've been focusing on is Shira's character arc. The main character of the series needs a strong character arc more than any other character. But Shira's arc is the hardest to successfully plot because of the three primary ways she acts:
- she misdirects and otherwise tricks people, and hides in plain sight;
- she rapidly adjusts her strategy to changing situations; and
- she does what one least expects even when the situation doesn't change.
I hope that once the weekend's over and I get caught up on my sleep, I'll get my editing back up to speed. New story ideas must be fitted in and old darlings must be killed when they don't fit. Anyway, back to the scratch paper...