Our Cyberpunk World: 3D-Printing the Perfect Blonde (and Your Own Clones)

The article: 3-D printing of human body parts (Business Insider) Technology is overtaking cyberpunk science fiction yet again — and this time biopunk too. In this case, it's a process called bioprinting which uses 3D-printing techology to print living organs, whether to repair or transplant. As the speed 3D printing is advancing today, eventually we'll be able to print entire human bodies. I can see four uses for this:

1. Cloning your replacement body: As a matter of fact, this is how the replacement clones used in the clone-resurrection process are generated. Not vat-grown anymore as in classic cyberpunk, but 3D-printed like the anti-plasma bomb being printed in the background of Shira's opening videoblog post.
2. Organ replacement: what bioprinting is used for today, but naturally more advanced. Eventually the technology will get good and cheap enough that people will be able to replace organs at will, like replacement parts for machines.
3. Designer deformations: What if you're bored with your baseline human appearance? What if you want the latest fashionable deformations? There's pretty much no limit to how much the idle rich can pervert bioprinting technology. Some of them, of course, will make themselves superhuman or outright transhuman. The likes of Neuromancer's Lo-Teks won't be quite so low-tech anymore.
4. Printing the perfect blonde: Forget eugenics. Why wait on genetic engineering, gene doping, and old-fashioned breeding when you can design your human physical ideal in a CAD program and then print it? You can design in pretty much anything you want, including amazing superpowers, without having to rely on the hereditary luck of the draw. You can create bodies more beautiful than anything Nature can design, as living artworks.

Naturally, since in the cyberpunk universe (i.e. Spanner) technology requires the money that the rich are stealing from the poor and hoarding for themselves, like all medical technologies bioprinting will of course be a luxury for the rich, intended to turn them into a transhuman master race eventually able to overthrow even the American Empire's superhuman oligarchs known as the Liberators. For the natural-born newtype superhumans of Team Spanner, this means they have to race against yet another ticking clock and try to convince humanity to save themselves before the Tech Lords make their species obsolete.

Spanner R5 Update: Putting Omitted Scenes Back In, Plus Even Crazier Ideas

It's been a while since I last posted. Hell, it's been a while since I last did any editing. Well, now the editor's block is over, the crazy ideas are returning, and I'm finally putting back into the final version of Spanner Book 1 the long-planned scenes I left out of Revision 4.

This session's first edit involves a radical change in the story thread revolving around the mad bioroboticist, Dr. Mina Tatsumi. I've been doing a lot of brooding about transhumanism and the ultra-rich lately; it's a major theme in Spanner, but one I don't really go into in Book 1, at least among the High Corporates. So now the "Oliver springs Mina out of the madhouse" scene I planned for Chapter 13 and put in Chapter 19 is now in Chapter 4 as the first scene in the thread, and its "Oliver brings Mina back to Biotron Labs" sequel is now in Chapter 6. Mina has all those green-haired Sonoda-twin clones for a reason: she dies at the end of the "Raid on Biotron Labs" sequence in Chapter 13 and comes back in Chapter 16 as all the Sonoda-twin clones at once, a collective entity and the story's first genuine transhuman. All the "transhumans" up to that point are merely superhuman. This will have major consequences, mainly from Chapter 25 onward.

The first of the omitted scenes I'm returning to the story is one I plotted out long before I started writing the novelization and originally planned to put in Chapter 18: the scene with the murderous bikers (vat-grown ninja in the final version) who emerge from a tunnel only to all get their heads cut off by a monowire stretched out at the portal. I'm also restoring that Revision 4 scene I left out of Chapter 23 in which Radica's hoverboard gets shot by one of the superhero antagonists and Liz makes a desperate flight to save her.

And so the editing resumes. And it's about damn time.