Monday, August 8, 2011

Spanner 11.4: Making Plans

...from previous

Chaos Angel Spanner — Chapter 11: Talk of the Town
Part 4: Making Plans (Revision 2)

26 september 2014.
Shira’s apartment.
Morning tutors don’t have to come to afternoon classes, and neither Shira nor Leila have college classes on Fridays, so they decide to spend the afternoon making love. Today, Leila didn’t even attend high school classes. Shira finds her napping nude on her bed. Her right leg is hanging off the bed, giving Shira a clear view of her genitals from the doorway.

Shira quietly walks over to Leila and looks up her sleeping body. She gently moves the left leg slightly more open so she can get a better view of her genitals. She slowly caresses Leila’s hips and buttocks and admires the beauty of her cunt. Then she lowers her face toward Leila and gently kisses her nether lips.

Leila suddenly jumps awake. Shocked, she stares at smiling Shira. “What are you doing?”

“Kissing your beautiful nether lips, my love.” Leila shoots back an offended look. Shira smiles at her sweetly. “What I mean is, you have a beautiful cunt, Leila.”

“W-what?”

“Your cunt. Your beautiful frilly cunt. It’s gorgeous! You’re so lucky to have a cunt as beautiful as this. I’m so glad those Pretty City surgeons didn’t put their cruel knives to it!” She plants a long gentle kiss on Leila’s nether lips, then gently grasps the protruding inner lips and slowly opens them like the petals of a flower. “Your inner lips are so frilly. And I love the way they stick out an inch.” She looks into Leila’s eyes. “Don’t you dare get ’em cut, Leila. They’re much better the way they are.”

Leila stares back at Shira for a moment, then says softly, “I never thought about that before.”

“Have a lot of people said you have perfect nipples, and beautiful breasts they wanna caress and kiss?”

“Mm-hmm.”

“But nobody’s told you your cunt is just as beautiful?” Leila shakes her head no. “They haven’t looked hard enough. You’re so lucky to have such an incredibly beautiful cunt. It’s just as beautiful as the rest of you. One more reason why I’m so totally in love with your body.”

Leila says sadly, “But do you only love me for my body?”

Shira plants a sweet soft kiss on Leila’s nether lips. Then she climbs up onto Leila, holds her tight, looks deep into her eyes, and says softly, “Leila, you are your body.”

“But then what about my soul?”

Shira kisses her. “That, too. But that’s a deep philosophical question we should save till after we make love.” She gives Leila a hard passionate kiss, sticks her tongue into her open mouth, caresses her nether lips with her fingers and then sticks a finger through them and deep into her cunt, making her squeal and moan through the kiss...

pool locker room. After the stress of the last few days, everybody except the mean girls are relieved to be done with school for the weekend. For some, the weekend begins when the final bell rings; for others, it starts the next day, for their parents have reserved Fridays for homework and chores. Shira comes to Marina and gives her the formal invitation to the gathering of friends at Jennifer’s tomorrow night, and formally accepts her request for help against Ollie-Ollie Oxenfree.

After Shira leads Marina to the nearly unused locker room, Mimi is the last invited girl to make it to the secret meeting. “Do any of the boys know about this?” she asks nervously.

“If we’re careful, no,” says Jennifer. “So far, it doesn’t look like any of the mean girls found out, either. But we can’t be too vigilant.”

“Our boys know,“ says Shira, “and they have the sense to keep quiet about it.” She watches images from the school’s surveillance cameras on her phone. “So far, looks like all the mean girls went home in their chauffeured stretch Hummers, ’cuz I don’t see anybody.”

“Anybody else staying late?”

“Just the brains on the computers as usual, and Mr. Whitmer. He knows, but I made him take a vow of silence unto death.”

“Whose death?” asks Polly.

“Whoever tries to extort it out of him, whenever I can get my hands on ’em, that’s who.”

Jennifer looks at the time on her phone. “Shira, Leila, and I will be going with Brandi, Marina, and a few of the boys on a little mission with the Slasher Hunters as a favor for Marina. We figure we’ve got enough time to take out our old fiend Ollie-Ollie before the party starts at eight.“

Polly gasps. “You mean you’re taking on a killer?

“I nearly took out his butt buddy Johnny-Johnny singlehandedly last week,” says Shira. “This time I’ve got friends. We’re bringing backup, blackmail plans, and Leila too.”

“Well, don’t come back dead! We’ll all be worrying about you.”

“Don’t. Let Ollie do the worrying. Anyway...”

A blushing Mimi asks, “Jen, is it true that there’s lesbian orgies at your slumber parties?”

“Did you read the card?” replies Jennifer. “Read it, and then read between the lines. If you want to pull out now, you still can.”

Mimi takes a deep breath, pulls the card out of her backpack, reads it, and blushes a deeper red. “It says ‘no pajamas.’ You mean it’s a nude slumber party?”

Jennifer smiles and nods her head. “Nothing wrong with leaving your clothes behind. You still wanna go?” Mimi holds her breath and nearly turns purple, then lets out a huge sigh and nods yes. Jennifer rushes over to her and gives her a big hug.

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Sunday, August 7, 2011

Spanner 11.3: Let's Make a Deal

...from previous

Chaos Angel Spanner — Chapter 11: Talk of the Town
Part 3: Let’s Make a Deal (Revision 2)

26 september 2014.
lunch, library.
“Okay,” says Jennifer, “now that we’re away from the crowds for a bit, let’s plan our little thing tonight.”

“So are we going out?” asks Polly.

“No, Pizza Mafia’s giving us free pizzas to celebrate its delivery girl’s victory in the song war, so no need. We want to get’em there by eight, so make sure to get there by then.”

One of the librarians on duty, a cute college boy, asks, “Videogames?”

“Movies.” Jennifer winks.

“Aw, darn.” The girls laugh.

“So who’s got the guest list?”

Shira languidly waves a piece of paper in her hand. “There’s one more name I wanna add to it.”

“I hope it’s not anyone compromising.”

“No. I made her swear. She’ll spend the night with us if I help take care of her, well, problem.”

“I hope it won’t interfere with our schedule.”

“You can come join us if you want. Brandi’s taking care of the arrangements.”

“Shira Thomas, please come to the office,” says the receptionist over the school PA. “There’s someone who wants to see you as soon as possible.”

Shira swears under her breath. She gets up from her seat, takes a deep breath and then lets it out, takes on the calm she needs for potential battle with Falconer, and silently heads for the door. Jennifer gets up to join her at the door. Everybody’s eyes are on the two as they go through the door; nobody says a word.

lunch, hallway. “So what’s this all about?” asks Jennifer once the door closes behind them.

“Knowing the administration as well as we do,” replies Shira, “our so-called friends in the police would be as good a guess as any.”

As Shira and Jennifer walk together down the hall like the Wild Bunch heading for the arena, the few students stare at them as if they were condemned criminals. As they pass the library, their little krewe gains a third member as Brandi insists on walking on Shira’s other side. “If you’re in trouble, love, I’ve gotta be there to vouch for you. You’re too important to me.”

Shira winks. “Thanks.”

Side by side, black brown white, the three of them walk together toward the Principal’s Office with the utter determination of gunslingers headed for the duelling ground, as intimidating as they are beautiful. Even the meanest of the In Kids know better than to Challenge them when they’re on a mission. They stride down the hall and pass through the cafeteria till they reach their destination. They look at each other when they find a small and enthusiastic crowd gathered there.

“Looks almost like a celebrity decided to alight here,” says Jennifer.

“Hmmm,” muses Shira. “I hardly see any white kids there. I’m guessing it can’t be the cops.” Shira goes into the crowd saying, “’Scuse me, ’scuse me, got business here, lemme through.”

One black boy gets in front of him, points at her, and says incredulously, “It’s you?!” The whole crowd surrounds Shira and emits a mass squee as if she were the celebrity.

Annoyed, Shira raises her voice. “Will you guys let me in? That means you especially, Kwame Jamal.”

“Okay.” Kwame Jones scurries out of the way. Shira gestures to Jennifer and Brandi, and slips into the door to find—

Jayzus.

Shira stands in front of him, paralyzed, her eyes wide open and staring at the big black man in a three-piece tweed power suit, matching beret, dozens of white and yellow gold chains, and mirrorshades. Brandi and Jennifer stare at each other in shock.

“Who is this?” asks Brandi.

“Only the hottest rap, hip-hop, and R&B producer in the entire Fashion-Industrial Complex, and he’s got the bling bling bling to prove it.” She goes in. Jennifer holds the door for Brandi and gestures for her to go. Brandi goes in, and Jennifer follows.

lunch, principal’s office. Shira walks up to Jayzus as the kids lucky enough to get a view through the door watch with silent expectancy. The producer holds out his hand. Shira shakes it.

Jayzus takes a long drag from his cigar and blows smoke rings. “I been hearin’ great things about you, Shira Thomas. Or is that Loca Fantoma?”

“So you’ve been watching me on MyTube?”

“That ain’t the least of it. Several of my fans here sent videos of your performance last night. You was absolutely killin’. I knew what I had to do.”

“Sign me to a big contract.”

“That’s why I’m here.”

Shira stares at Jayzus for a minute. Then she paces excitedly back and forth, looking at the hip-hop kids in the hallway, who want her to sign; then at Jennifer, who silently begs her not to sign; and back and forth. She musters up reasons why she shouldn’t sign, then she turns back to Jayzus and takes a deep breath.

“Yeah, I know I’m good enough and hot enough to make it huge. I know you’re a good enough producer to make everything work. I can see myself worshipped by millions. I’ll be set for life, with big mansions in California and the Caribbean, and Swiss bank accounts, and full divahood in the Fashion Élite, with beautiful male Mexican sex slaves and all the latest sexbot models...” She takes another deep breath and lets it out. “But I’m afraid I’ll have to turn you down.”

What?!

In unison, all the hip-hop kids outside the office yell, “Noooooo!” They beg and plead her to sign. Jayzus gestures them to shut up. They fall silent.

He asks, “So why are you turning down one of the greatest contracts in the industry?”

Shira raises her finger and paces. “Well, for one, the boyz and bitchz in the ’hood would see me as you selling them out just so you can sell records to suburban white girls who squee over Minty Fresh. That deep in the underground, they consider your name a dirty word. Second, I come with political baggage and might bring a little of my mother’s and my troubles with the Law to you, and you don’t want that. Third, I have a significant other of the same gender, which makes me sexually incorrect, and that definitely does not play well at all in the African Diaspora, or just plain America for that matter. Fourth, I’d lose my street cred if I were to sign; I’d lose all respect from the Style Underground for selling myself out to the hated Fashion-Industrial Complex, and some Stylers consider me a bit too mercenary already. Last but not least, I prefer to retain complete creative control over my own works rather than lose it to anybody else, so I won’t have to suffer my dad and Aunt Willa’s trauma from their long battle to get their music away from the record companies, pre-Melodia. So that’s why, as much as I want that money, I’ve decided to turn your offer down.”

Jayzus stares at Shira with cold anger. “I guarantee you’ll regret it.”

Shira stares back, confident in her choice. “No I won’t. If you’ll excuse me, I’ll get back to doing my own thing. Good day.” She turns toward the door and leaves. Jennifer and Brandi follow. The disappointed crowd makes way for them to pass. Jayzus stares at Shira without blinking until she passes through the crowd, turns back toward the cafeteria, and disappears from view.

Kwame runs after Shira into the hallway, and demands, “Why the hell did you turn down Jayzus? If I was you, I’d sign in a New York minute!”

Annoyed, Shira turns to him. “Why would I wanna go trendomatic and lose my Style? It’s like losing my soul.” She turns from him and walks away.

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Saturday, August 6, 2011

Spanner 11.2: Everybody's Talkin' 'Bout

...from previous

Chaos Angel Spanner — Chapter 11: Talk of the Town
Part 2: Everybody’s Talkin’ ’Bout (Revision 2)

26 september 2014.
Shira’s bed.
The eight-bit audio notification wakes Shira up. Groggily she rolls away from Leila and reaches out till she touches the Droid on her nightstand, fumbling with it till she gets a solid grip on it. She holds it up to see who sent it. Sender: “Debaser” a.k.a. J.T. Sparks. The title: “WARNING WARNING WARNING WARNING”. She touches the name on the touchscreen to open the GPG-encrypted email using his key.

    Just got word COPCO plan to deploy shiny new
    combots to police the election. They may be
    testing some already. Don't let anybody know
    I sent this to you.

    --Jim


“Policebots... hmmm...” She sits up at the edge of the bed, slides out the phone’s keyboard, and invokes the file manager to see what’s lurking in various neglected directories on the phone’s hard drive. She saves the attached 7-Zip archive J.T. sent containing the specs of various military, police, and corporate security robots currently in use or in development. When she opens the zipfile to read the technical papers contained in it, she laughs when she finds out that some of the robots run Windows. “Hmph! I could neutralize those bots just by rebooting ’em.” The rest run iOS. Only the proprietary systems for the Man.

Leila moans groggily. Shira looks back at her, then climbs back onto the bed, flips the covers off Leila’s naked body so she can get a full view of her, and kisses her gently on the lips.

“What’s going on with the phone?” asks Leila.

“Oh, that?” Shira holds it up so they can both see it. “A hacker friend with security clearance just sent me the specs on some robots COPCO Seattle bought. Your grandfather plans to use them to keep the unwashed masses from fucking up his re-election. Among other things...” Shira touches the screen to navigate back and forth through various subfolders. One of them catches her eye, called “kits?. She opens the directory to look at the files. She recognizes them with a start. “Rootkits?”

“What are those?”

Shira grins wickedly. “Just the thing to hack a horde of hostile robots. And I’ve got just the apps to put’em there.” She starts her phone’s text editor, loads a series of source code files she’s been working on for the past year, picks the one she feels best suited to her needs, and thumbs away furiously at the keyboard to edit it. Leila leans against Shira’s back, puts her arms around her, and looks over her shoulder at the screen, fascinated.

after breakfast. Ayla grins wide and blushes deep red as she stands naked in front of an equally naked Shira, sitting at the edge of her bed at home. Shira smiles at her and affectionately pats her butt with both hands as Leila comes through the doorway.

“Shira, what are you doing?”

Shira winks at Leila. “I’m teaching Ayla how to be naked.”

“You don’t have to learn to be naked.”

“Not you or me, but she does. She didn’t grow up naked like we did.” Shira pulls Ayla close to her and holds her tight. “Before she came to me, she mostly wore a full-body mask like most people do, and even when she went without clothes she put on a dramatic mask for the camera. Like most people, she never learned to be normal without her clothes like we did. So we’re keeping her from wearing clothes in the house so she can learn how to just be naked.”

“So how come you have to teach her how to be just plain naked when she grew up naked on screen” I don’t get it.”

“When you’re a ‘lolita’ owned by child pornographers working for organized crime, you don’t get the chance. You gotta be full-on superslut all the time, or else. I should know. I found that out the hard way, and I made sure they paid the price.”

before class. The day after the talent show fiasco, Shira is the talk of the school. The Hip Kids supported her from day one; but then, she’s always been one of them. The Cool Kids mob her and treat her like a conquering hero, not just for being so Stylin’ last night, but also because she owned Minty Fresh, current incarnation of the DisneyPop they despise. The In Kids stare at her warily; to them, she’s even more of a freak than she was before, and they resent the way she’s treating their idol Minty Fresh. But some kids still don’t bother to notice her; they stick to their cliques.

Shira, Jennifer, and Polly go all over the school to hand out invitations to the girls they like most. The card says that this weekend’s slumber party at Jennifer’s house will double as Shira’s ‘Song War’ victory party, and only the special girls are invited. Meet in the girls’ locker room next to the pool after school.

period 1. Shira gets uncomfortably close to “antebellum cosplayer” Mr. Smith and lectures him on the New South. Her talk inevitably turns to Atlanta, and herself. The students watch on in fascination as the squirming teacher listens helplessly. Some of them fail to suppress giggles.

“What I was trying to do last night?” she purrs seductively. “One hundred percent “Hotlanta. But then—”

Jennifer interrupts. “Hmph! I thought it was pure L.A. Style myself.”

“Shh! To continue: But then, I read in several of my history books that the Old South never really accepted Atlanta as one of its own. The pious slave lords always thought of the city as a painted whore. Today, even the city establishment is black. Jayzus, the billionaire purveyor of African-American pop music, even hails from there. He’s come cross-country several times to try to sign me to a Faustian bargain, but I tell him no every time...”

The students find Shira’s history of the world and the history of Shira far more fascinating than anything the obsessed Mr. Smith has ever tried to teach. One boy asks her, “Why are you so much more interesting just sitting down and reading than he is when he opens his mouth?”

Shira chuckles. “Notice he’s always cosplaying? Everything’s ‘blue and gray’ in his eyes. Fanboys are way boring. Especially those who never grow up.”

lunch, cafeteria. One of the four surviving girls in the outcast clique surrounding the serial killer known as Ollie-Ollie Oxenfree comes up to Shira. Clearly Hispanic. “Shira, you gotta help me.” Accent: Arizona Chicano.

“Scared?”

“Yeah.” She paces around awkwardly, then blurts out, “I wanna be a Styler like you, Shira!”

“Well, yeah! you’ve come to the right person. What’s your name?”

“Marina. Marina Reyes.”

“You were from Phoenix before the purge?”

“Tucson, actually. My family left before the purge and settled in Yakima. Then the Kingdom of Oregon purged us and now we’re here and we don’t know anybody here, so...”

“Here you are.” Brandi happens to pass by. Shira grabs her by the sleeve. “Hey, we got a request for help.”

“From whom?”

Shira looks at Marina. “This is Marina Reyes. Marina, Brandi Quinn.”

“’Allo,” says Brandi.

“Hi,” says Marina.

“I hear you’re stuck with Ollie-Ollie.” Marina nods sadly. Brandi smiles. “If you want my ’elp, I’ll do anything I can.”

“Thanks!”

Leila appears behind Shira. “I’m going with.”

Brandi shoots her a stern look. “No you’re not.”

“Yes I am, whether you like it or not, so don’t stop me.”

Shira grins. “She’s going.”

“Don’t be a fool, Shira,” warns Brandi.

“It’s not ’cuz she’s got a score to settle. I’ve got a plan, and it revolves around her.”

“And that is?”

“Think! We’ve got the perfect opportunity to not just cash in Ollie, and maybe his butt buddy Johnny-Johnny again if we’re lucky, but also break Leila’s marriage arrangement and give Gub’nor Wally his first big embarrassment of the election season.”

Brandi glares skeptically at Shira, then Leila. “Okay. She comes with us. But if you get ’er in trouble, you get the bill.”

Shira grins. “It’s Wally’s fault. Whatever happens, I’m sending the bill to him.”

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[Revision 2.0.1, 8/6/11: Format error correction and small story addition (the students in Mr. Smith’s class giggling).]
[Revision 2.0.2, 8/7/11: Worked around Blogger bug that doesn’t allow me to use the HTML <pre&rt; tag correctly.]

Friday, August 5, 2011

Spanner Chapter 11: Talk of the Town (Revision 2)

Chapter 10

Chaos Angel Spanner — Book 1: Rock City Blues
Chapter 11: Talk of the Town (Revision 2)

Now three episodes into the middle “light novel” of Spanner Series One, Shira faces a huge offer from the biggest rap tycoon in the Fashion-Industrial Complex, Leila seeks revenge against the serial killer her grandfather Governor Brinkman is still trying to force her to marry, her beautiful twin brother Rob finds himself facing his most psycho fans, and Shira and Leila so intensify their already intense love affair that they threaten to provoke the Law itself. Then Jennifer brings all her female friends to her house for some hardcore female bonding when tragedy strikes...

Table of Contents:
  1. Psycho Fangirls (August 5, 2011)
  2. Everybody’s Talkin’ ’Bout (August 6, 2011)
  3. Let’s Make a Deal (August 7, 2011)
  4. Making Plans (August 8, 2011)
  5. Crash the Murder Party (August 9, 2011)
  6. Saturday Night Slumber Party (August 10, 2011)
There’s now one significant change to the original chapter from the first draft, called “Bad Girls Can’t Win” (now next chapter’s title): the knife-plucking scene in the serial killer scenario has been replaced with something else entirely, connected to the new second scene of Chapter 1 part 1. Otherwise, the original intro remains fairly accurate, and the Official NaNoWriMo Travelling Shovel of Death remains...
This is the first full chapter I’ve written during the 2010 edition of NaNoFiMo (National Novel Finishing Month), the writing month that follows NaNoWriMo. There are two scenarios here from earlier: the sleepover scene, heavily modified from the original scenario I recorded in the early-’00s Project Notebooks; and the serial killer scene that came to me after Steve Irwin’s death, now the climax to a complete sequence combined with another post-notebook scenario involving a school clique of outcasts latching onto a serial killer, and featuring not only the plucking of the knife and the ensuing quip from Shira, but also NaNoWriMo’s infamous Travelling Shovel of Death. Everything else is new material I wrote to fill in the plot.

This chapter introduces a new Slasher Hunter character I didn’t introduce in Chapter 8. It also introduces Marina Reyes, another of the original Team Spanner members I came up with back in 1992-5 while I still belonged to my college’s anime club; this leaves only one more Team Spanner original left before the original team is complete at last. Rap producer Jayzus dates back to 2000 or so, as do his rivals in the Wu-Tang-like rap group called the Chi-Sah Gang whom I’ll introduce later.

What’s with all the sexual incorrectness? Why do some characters don’t care about what gender one’s lover is or bother to wear their clothes at home when both are illegal and viciously punished? There’s a point to this that will be revealed later. Ever since I started plotting Spanner in 1992, the Culture War has been one of its major themes. Time to sit back and watch the war play out...
Chapter 12

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Spanner 11.1: Psycho Fangirls

...from previous

Chaos Angel Spanner — Chapter 11: Talk of the Town
Part 1: Psycho Fangirls (Revision 2)

It’s hard to keep your shirt on
when you’re getting something off your chest...

24 september 2014.
Mimi cries out in pain. Shira, Cory, Rob, and Brandi rush over to help her. Nancy runs away. “What happened?” asks Cory.

“Nancy just tried to pull my hair out,” sobs Mimi. “She told me she doesn’t wanna be my friend anymore!” Rob takes her into his arms so she can cry on his shoulder. She blushes furiously.

“Why would she do that?” asks Brandi.

“I’ll answer that question,” says Rob. “Nancy’s been stalking me more obsessively, and she’s even attacking my female friends starting with Shira. Mimi’s been trying to stop her...”

Shira says, “I’ve been involved in online fangirl flame wars before, but I never thought I’d have a deranged fangirl as a classmate...”

25 september 2014.
While Shira and Leila are making love in the girls” locker room after school, Christian Fleer is stalking Rob in the parking lot as he waits for Connor and Jennifer to drive him and Steve home. She doesn’t yet know that the even more deranged Nancy is stalking him too.

As Steve organizes his books, homework, and computer equipment in his backpack, Rob walks idly toward the stadium. Before he can get halfway there, Christie glomps him hard from behind. He shrieks.

Steve turns around and is about to tell Rob’s assailant to go away; but when he sees it’s Christian Fleer, he cries out, “Oh, no!”

Nancy screams in rage. She runs toward Rob and Christie, hastily rips open her backpack, takes out a large textbook, and throws it straight at Christie, getting her in the side of the head.

“You rabid little cur!” Christie rushes Nancy to beat her up. Nancy has taken out another textbook and advances on her to brain her with it. As Nancy brings the book down, Christie dodges it and brings up her outstretched arms, hands together, to knock the book out of Nancy’s hands. She knees Nancy in the stomach and punches her in the nose. Nancy falls down and rolls over backwards, but she quickly gets up and charges Christie like a madwoman.

Rob and Steve pick up their stuff and run inside to find Jennifer and Connor. When they find Connor, Steve yells, “Connor! Get Jen! Nancy’s picked a fight with Christie over Rob!”

“What?!” Connor fumbles to get out his phone without dropping it. He speed dials Jennifer. “Hey Jen! It’s an emergency!... Nancy’s fighting with Christie!... Yeah, I will. Thanks! “Bye.” He presses “end,” switches to the phone’s address book, finds Brandi’s number, calls her.

Jennifer, Brandi, Cory, and Kio run to meet Rob, Connor, and Steve. Together, they all run back outside to find that Nancy is gone and Christie is a mess. Jennifer tries to brush the dirt off Christie’s uniform. Christie tries to slap her, but she dodges. Connor inserts himself between Christie and Rob. “Christian, stalking’s not a good idea even for you.”

“Hmph!” Contemptuously, she picks up her backpack off the car she put it on, then flounces away to her own SUV. She gets in, slams the door, and angrily drives away.

“What gratitude,” says Jennifer sarcastically.

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[Revision 2, 8/5/11.]

Thursday, August 4, 2011

Spanner Interlude 7: Pop Will Eat Itself

...from previous

Chaos Angel Spanner
Interlude 7: Pop Will Eat Itself

Here comes Minty Fresh with her entourage, rushing onto the stage to the deafening glass-shattering screams of tweens and TwiMoms come to worship the pop idol manufactured for them by the great god DisneyPop™. The idol and her dancers affect the illusion of spontaneity with absolute military precision enforced by an army of choreographers, their seemingly casual costumes precision machined to the specifications of highly paid in-house fashion designers, her voice trained and toned as her body in two-hour daily boot camps commanded by the world’s top vocal coaches, her songs prepared for her by the Hollywood songwriter elite and rehearsed to perfection, all to the greater glory of the great god DisneyPop™.

Settle down in your luxury box seat, switch the window to monitor mode, turn up the volume, and do your dirty deals shielded by the illusion of perfect innocence, brought to you by Disney Corporation, the Melodia Consortium, and the all-powerful Fashion-Industrial Complex.

The nobility of the kingdom of pop falls into two tribes:

The Pop Princesses sing of your childhood ideals and capture your innocence, directing the romantic dreams of little girls and grown women toward the frothy and calorie-laden animated confections of the Disney Cineminium™. You know them. You cannot escape them even if you turn off your television. The merciless guardians of the public innocence want them to direct their devotions to the God of the Nation; but the great god DisneyPop™ is a jealous god who brooks no charmless rivals like Jesus America. The flavor of the month is Minty Fresh.

The Bad Romancers molest you with their lyrics and their look. They are the mouthpiece of the Fashion-Industrial Complex, singing dancing supermodels who sex up your camera eye and sell you a bill of goods branded Gucci, Gaultier, Hilfiger, Versace. Be decadent, be full-tilt psycho diva, be a pretty corpse shambling up the catwalk; Melodia Consortium’s got a patent on your flavor — Lady Gaga, Lady Sovereign, Princess Superstar, Queen Latifah — Ke$ha, M.I.A, Madonna, Rihanna, P!nk, Beyoncé, Katy Perry, Róisin Murphy, Charlie Richter-Thomas—

Charlie Richter-Thomas? scandalous niece of the infamous Willa? Didn’t she ditch her manager, burn her contract, sue her record company, declare war against her overbearing stage mother — none other than Chief Shepherd Drusilla Becket AMERICA! herself! — and watch her career crash and burn? Her and the love of her life, her adoring sister Desiree. It is forbidden to mention their names in the presence of the Lords and Baronesses of the Fashion-Industrial Complex. Ask about them within the armoured arcology walls of Pretty City™, and all you will get is silence. She sings ill always of the great god DisneyPop™ because she is his psycho ex-girlfriend.

Look carefully, squint your eyes, or you won’t see a third way coming. Music and fashion will always be the passion in the free zone of the Style Underground where La Loca Fantoma, clown princess, erotic angel, stretches out her shimmering ruby wings for all to see. She watches you, sings to you, makes love to you through your liquid crystal screen. She will not sell her soul to the great god DisneyPop™. She will not sell her body to Pretty City™. She is in control, and she’s got the legal warrior she needs to fend off the never ending assaults by the barbarian hordes of savage corporate lawyers the Fashion-Industrial Complex sends to pirate her copyrights.

In the summer of 2013, La Loca Fantoma duelled Minty Fresh on stage for the first time, peacock angel and tinkerbell princess. Minty captured the heartless minds of DisneyPop™’s bean-counting technocrats. But La Loca Fantoma was a bomb in the half-exposed human flesh, far too sexy for her age, too dangerous for even Pretty City™. By a miracle she escaped the merciless tabloid eye Lord Murdoch sent to persecute her half-sisters for love of their Mommie Dearest. She rocks your style in the confident knowledge that the kingdom of pop will eat itself.

And now she issues Minty Fresh a fresh new Challenge...

on to the next...

Back to Chapter 10 index...
Back to Chaos Angel Spanner table of contents...

Copyright © 2011, 2012 Dennis Jernberg. Some rights reserved.
Creative Commons License

[Revision 2, 8/4/11: All new material. Prose style inspired by Barry N. Malzberg’s 1973 New Wave science fiction novel The Men Inside and Pat Cadigan’s 1986 cyberpunk short story “Pretty Boy Crossover”.]
[Revision 2.1, 8/8/11: Completed the list of pop stars. The original list came out unfortunately too white, which created a subtle continuity error with Part 10.5 and Part 10.6 in the ensuing chapter, Part 11.3 three installments after that, and the very character of Shira Thomas herself two paragraphs after the list.]
[Revision 3, 10/23/11: Text revisions and one significant revision (where once Charlie “always sings ill of Jesus America” she now “sings ill always of the great god DisneyPop”).]
[Revision 3.1, 8/17/12: Added a few “™s” back for cyberpunk authenticity’s sake; updated the short list of fashion designers.]
[Revision 4 Final, 8/30/12: Reordered and updated the list of pop-idol names for sound and idea and to lead up to Charlie’s; added trademark symbols to all occurrences of “DisneyPop” and “Pretty City” edited the wording in select places.]

Spanner 10.6: Vengeance and Fashion

...from previous

Chaos Angel Spanner — Chapter 10: Fashion Meltdown
Part 6: Vengeance and Fashion (Revision 3)

25 september 2014.
hallway.
After the disaster in the performing arts center, Shira and Karen emerge dressed once again in their sailor yellows. Charmian storms up into Shira’s face and screams, “What in God’s name were you thinking?

Shira grins. “I was thinking, ‘Take that, Minty Fresh.’” She flashes Kelly and Charmian a wicked wink.

“But I love Minty Fresh! I’m her number one fan of all time!” protests Kelly. She wags her finger at Shira. “You won, you know. You destroyed the bestest pop idol ever, and that was with just the song. Minty would have died a horrible death at the very sight of that horrid costume! That was the closest thing to Rebel Styles live that I have ever seen in my life. I hate you, Shira Thomas!”

“You sound like I used to around Miley Cyrus. She was the Bestest Singer Ever, and I was totally in love with her. I even stalked her. I was eight. Come on, girls, if you can’t handle the heat, don’t get in the oven.” Kelly and Charmian stare at Shira funny, then sigh angrily and flounce away together in a huff, leaving Shira and Karen alone. The two cousins sigh in unison.

Shira notices that the Cool Kids are not mobbing her. Something is distracting them. Karen points at the eager crowd down the hall. “Over there.”

They meet Jennifer a few meters away from the hopping and squeeing crowd. They look at each other, then in annoyance at the Cool Kids surrounding a young woman. They can hear the words “Pretty City” squealed by girls in the crowd. Jennifer peers into the crowd to see who the woman is. When she recognizes her by the curls of her long dark brown hair, she goes cold. “Oh, no.”

Shira turns to her and says, “What is it?”

Jennifer whispers the name into Shira’s ear. Shira’s eyes go wide and her mouth twists. She rolls her eyes and says, “Oh great.” She turns to Karen, puts her finger to her mouth, and nods. Karen’s mouth falls open; she turns toward the scene and stands back to watch.

Jennifer and Shira march toward the young woman and the crowd surrounding her. When they get close enough, Shira yells, “Oh; emm; gee; doubleyou tee eff—”

The woman turns to see where the voice is coming from. “Shira?” Girls move out of their way so they can get a clear look at each other.

Lala Sun-Microsoft possesses the anonymous beauty of the surgically Resculpted. She was born plain, but she longed to be beautiful as long as she can remember. Her tekcorp executive father, Elliott Sun-Microsoft, bought the services of the best plastic surgeon in Los Angeles to Resculpt her. He transformed her into closest thing to the perfect average of every pop idol in Asia possible with the most modern technology and plastic surgery techniques. She is rich, eccentric, and two years older than Shira or Jennifer. She’s surrounded by Cool Kids eager to follow their strange pied piper to Pretty City. Surprised at the reunion, Lala opens her arms wide for a hug. “Jennifer! Shira! How are you?”

The two cousins accept Lala’s embrace; Shira kisses her. “It’s goin’,” says Shira.

Mimi comes up next to Shira and asks, “You two know her?”

Shira winks. “We’ve met.”

Polly peers into the nondescript prettiness of Lala’s doll-like face. She asks Shira, “Is she real?”

“I’m afraid so.”

“She looks so ‘uncanny valley,’ it creeps me out.”

Lala gasps. “How can you say that?” Shira shoos Polly and Mimi away. Lala stands back from Shira and Jennifer and takes a good look at them. She has always admired their Natural good looks.

“So what brings you back here to Bummertown, Lala?”

Lala whips out a brochure and winks. “I’ve got your ticket to Pretty City.”

Shira smiles. “Don’t you remember? I already burned my ticket to Pretty City.”

“But Shira—”

Shira holds out her fingers to count. “One, I’m already famous and/or infamous in my own right. Two, I have no intention of becoming a slave of the Fashion-Industrial Complex. Three, the Fashion-Industrial Complex are itchin’ to cut my nose, and I won’t let their scalpels come close to my nose. Four, I’m such a notorious Styler that no self-respecting New Pretty would accept me no matter how Resculpted I get. So, thanks but no thanks.”

Lala slumps, crestfallen. “Aww...” She stands back up, holds the brochure out to Jennifer, and smiles at her cheerily. “So... How about you, Jennifer?”

Jennifer does not smile. She sighs. “No, Lala. You should know me well enough to realize that I am what the fashion-industrial complex like to call ‘a great mind trapped in a great body.’ Smarts just don’t cut it in Pretty City. You know what they call me there?”

“What?”

“Trouble. They’re even more scared of me than they are of Shira.”

Lala’s eager smile returns. “You’ll have no problem with them as long as I’m there for you!” Shira and Jennifer look at each other and sigh in unison; the eagerness drains from Lala’s smile. Shira shrugs.

Suddenly Lala screams in pain. Shira and Jennifer look behind her to see an angry Leila pinching Lala’s collarbone hard.

“Leila!” cries out Shira. “Stop that!” Leila lets go.

Lala turns to face Leila and stumbles back a pace. “Well! I never expected you’d be here!”

Unsmiling, Leila says, “Hello, Princess FrankenBarbie. What the fuck are you doing here?” Lala gasps in horror at the slur: “FrankenBarbie” is the evil word Stylers like to throw at the Resculpted.

“Three guesses,” says Shira, “and the first two don’t count.”

“Well. Trying to trick more suckers into selling their faces and souls to the fashion-industrial complex, aren’t you.”

Lala breathes in deep, crosses her arms, and lets out a hard angry sigh.

Shira sneaks up behind Lala and says, “You probably haven’t heard about this yet, but Leila’s now my girlfriend.”

Lala turns around toward Shira. “What? Her?!” Shira smiles triumphantly and nods. Lala spins to stare at Leila. The black-haired beauty’s sweet ironic smile says: Shira’s mine now, bitch. Deal.

Polly returns. “Your drama here’s been entertaining enough. If you like that, you’ll just love what’s coming up next. Especially you, Leila.”

“Me?” says Leila scornfully. “What could be worse than this?”

“Brandi just texted me. Looks like your gangster uncle’s here to drag you kicking and screaming back to Pretty City.”

“Tell him I’d rather die than go back.”

“I guess you’ll be telling him yourself.” Polly stares fearfully down the hall.

Toward the door, girls scream and squeal. The commotion comes closer. Shira and her friends notice that people are moving out of the way of whoever’s coming.

When she sees him, she catches her breath. He’s beautiful: tall and elegant, with long silky black hair and a delicate face which looks a whole lot like Rob’s. He wears MIB suit, black trenchcoat, fashion mirrorshades, and the signet ring of the House of Brinkman. He’s flanked by two huge and dangerous looking men in MIB suits and mirrorshades, but he looks more dangerous than either of them. He looks as dangerous as Leila. And he’s heading straight for her. When he gets in range of her, he yells: “Leila!”

“Oh, no!

“Where’s Robert?!”

“I have no idea!”

Arvid grabs Leila’s slender wrist in a death grip. She cries out in pain. “Well, we’d better find him, ’cos you two are coming back with me to Pretty City before you two get killed!”

Shira clears her throat loudly in his ear. He turns to face her. “Excuse me, but Leila’s staying here with me.”

Arvid stares down at her threateningly. “And who do you think you are to say such a thing to me?

“I’m Shira Thomas, and I’m her lover.”

Shira pulls Leila out of Arvid’s grasp, holds her tight, and gives her a long passionate kiss right in front of him. She lowers her hands until they caress and squeeze Leila’s soft buttocks. Leila moans in pleasure. Arvid crosses his arms. “I see,” he says. “Maybe I should take you with her?”

“You weren’t here when I told Lala I already burned my invitation, right in front of the Molotov Twins’ butt-ugly mugs. You can always go ask her, or them. And the answer, of course, is no. I’m staying right here, she’s staying with me, and Ollie-Ollie can go fuck himself.”

Arvid sneers, “You know I never take no for an answer.” He and Shira stare each other down as if locked in a Mexican standoff.

Meanwhile, another chorus of squeals moves in a wave from the direction of the auditorium. Out of the dressing room, Charlie approaches in full blue sailor-girl school uniform with its sailor cap and wields a weaponized custom Les Paul clone strapped over her shoulder like a broadsword. The Gibson Les Paul and especially its cheaper non-brand clones are the most easily weaponized of the popular electric guitars because they are so solid and heavy; small women tend to find it difficult to carry one, so Charlie plays the checkerboard-pattern Strat she has left backstage for the roadies to pack up.

Arvid Shield is still facing down Shira when Charlie swings her guitar and hits the side of his head with it with such impact that she knocks him down. She raises it up like an ax and brings it down, intending to crush his head; but he catches it in time.

“Charlie!” cry Shira and Jennifer in unison. Shira grabs her from behind. Charlie kicks the guitar up out of Arvid’s hands and slings it onto her back as she spins in her tall younger sister’s embrace to kiss her hard on the lips.

Arvid climbs back up to his feet and scowls at the spectacle. He moves toward them threateningly. “What the fuck are you doing, Charlotte?”

Charlie breaks the kiss and flits her way in front of Leila. “Just protecting my sister’s girlfriend and her brother from, well, you.”

“Damn it, woman, I’m trying to protect these two! Do you want that rabid old dog and his pet psycho to eat them alive?

Charlie shrugs. “You win some, you lose some.”

Arvid leans into her face. “You know what happens when you cross me, don’t you?”

Charlie stands on her tiptoes to get even closer and smirks. “Why, yes, come to think of it, I do. You get yourself in trouble you can’t get out of, and you drag down as many people with you as you can get in your clutch on your way to the bottom. That’s where I come in, Artie, and you know it.”

“Damn it, Charlotte, I’m their uncle!

“And right now, cousin, I’m their best friend. So why don’t you be a friend to them and buzz off?

Arvid Shield reaches into his blazer, whips his Glock out of his shoulder holster, and holds it on Charlie. She laughs at him. “What’s so funny, Charlotte?”

“Why, Arthur, I so didn’t realize how little you care about hurting bystanders.”

Suddenly two shots go off. Arvid spasms backward and lets out a cry of pain. Students and parents run away from them screaming. Lala hides behind Shira and whimpers. Desiree threads her way through panicking people toward the sound of the shots. Rob and Fiona rush over to protect their sister. Taylor Brinkman shoots two more bullets into the flak jacket under her brother’s suit to hurt him. “Get away from my kids, you cur!” she shrieks.

He rolls over and looks back at Taylor, stunned. “But sister—”

“Sister my arse! Do you know what they did to ’em at Pretty City? Do you realize what horrors they put ’em through? It’s all your fault!” Taylor shoots Arvid in the right pectoral. His hand involuntarily holds his chest at the point of impact; he lets out a strained cry of pain.

Desiree grabs Taylor from behind to hold her arms down and cries out, “Stop it! Stop it!

“You too, Artie,” says Charlie calmly.

Shira casually walks between Taylor and Arvid. “Excuse me, but school ain’t the place for violent sibling rivalry. We have more than enough trouble dealing with gangsters and fight clubs.”

“She’s right,” Arvid says. “If you want to continue this, let’s take it elsewhere.” He puts his pistol back into his shoulder holster and painfully struggles to his feet. He glares at Taylor and Desiree; then Charlie; then Shira, Jennifer, and Lala; then Leila, Rob, and Fiona; and finally at Taylor again. Everyone’s stare remains fixed on him. He concedes with a smile, then leaves for the front door, followed by his two bodyguards. Taylor holsters her gun.

Desiree lets go of her. The two women glare at each other. Then Taylor shoots an angry look at Charlie. Charlie smiles sweetly at her. Taylor head-gestures for Leila, Rob, and Fiona to leave with her. Leila drops her head and sighs. They follow her as she storms away. Leila turns back to look at Shira. Shira gives her a beautiful smile and winks.

“Leila!” snaps Taylor.

Leila looks at Taylor, then Shira, then back at Taylor. She smiles — then she runs into Shira’s arms and gives her a passionate deep kiss. She looks back at her mother and smiles.

Shira says, “She gave herself to me for my birthday. Remember?”

Taylor glares at Shira for a time. A smile grows on her face. “Keep her.” She takes Rob and Fiona by the hand; they turn and walk toward the entrance.

Everybody else remaining in the hallway outside the auditorium lets out a huge sigh of relief.

on to the next...

Back to Chapter 10 index...
Back to Chaos Angel Spanner table of contents...

Copyright © 2011 Dennis Jernberg. Some rights reserved.
Creative Commons License

[Revision 2, 8/4/11.]
[Revision 3, 10/15/11: Corrected text and continuity errors; edited to fit Third Revision continuity.]
[Revision 3.1, 10/19/11: Added correct date.]
[Revision 3.2, 10/25/11: Edited to fit new Third Revision continuity, corrected text errors.]

Wednesday, August 3, 2011

Spanner 10.5: Battle of the Pop Idols

...from previous

Chaos Angel Spanner — Chapter 10: Fashion Meltdown
Part 5: Battle of the Pop Idols (Revision 3)

25 september 2014.
auditorium.
Bremerton High School has a Performing Arts Center that serves as the regular home of the Bremerton Symphony Orchestra when they’re not playing the Admiral Theatre downtown. Tonight there’s a talent show scheduled, and the theatre is crowded with teenagers wearing the uniforms of several schools. Many students with odd talents or no talent at all have signed up, though not all of them were judged good or suitable enough to make it.

But the big draw is the grudge match that Minty Fresh has declared against Shira at the last second. Her lawyer, Marshall Brinkman (the Governor’s nephew), pointed out Shira’s new song out to her; she was so horrified and enraged that Shira would post a song just to sexually harass her that it was either sue her or challenge her. Marshall suggested she sue. But Minty said, “I so am better than that amateur,” and decided to challenge her. After the talent show, Karen will perform a song of her own, and then it’s war.

Act follows act on the stage for most of the show. Some of the kids on stage are really talented, like the bugle boy from Kingston and the classical cellist girl from South Kitsap and the hip-hop dance team from Olympic. Others are just big egos under the delusion that they have talent, like the Cool Girl from Central Kitsap who thinks that gaudy yet comfortably trendy style alone guarantees pop idol status but can’t sing a lick, and who reminds Shira uncomfortably of her patronizing stepsister Lovie Thorndyke. Shira predicts she will be a success once some Svengali producer buys her soul and provides her with style consultants and an autotuner. At the end, the judges rule that the top three are, in ascending order, the bugler, the hip-hop dancers, and the cellist. Many cheers, some crying contestants and parents both happy and sad, the smiles of the winners, and then the contest is over. The backstage band take their places: Shira’s older and even more notorious half-sisters Charlie and Desiree Richter-Thomas on guitar and keyboards, school librarians Kitty Carlisle on bass and Sally Hatfield on drums. They do their last-minute fine-tuning on their instruments. At last, it’s time for the main event.

As the lights go dark again, everybody waits breathlessly for Karen’s song to begin. The curtain opens and the spotlights illuminate a rainbow set. The music that plays over the PR system is light pop that is bouncy and positive without being saccharine like too much DisneyPop and J-Pop can be. Karen dances onto the stage; behind her, two lines of girls in white T-shirts and knee-length shorts run on from opposite directions. She wears the same T-shirt, but with an unpleated miniskirt. The design on the T-shirts is an abstract design of a rainbow-colored world surrounded by angular silhouette children; it says “Youth for Peace.” All the songs she’s written relate to her strong Buddhist beliefs and her organization’s worldwide peace activism. As her dancers move in near-perfect unison behind her, she sings in her sweet voice:
Too many people suffer in silence
They cry and hurt and struggle alone
Too many people lash out in violence
They hurt each other too close to home
It’s up to us to be each day
Examples of a better way

Friends across the world!
Youth united in harmony!
Friends across the world!
Let’s come together as friends for peace!

Youth is a difficult time for some
There’s so much pain we must outgrow
But it’s the time that we become
Creators of the world we know
Let’s be capable people now
So with our lives we can show them how

Friends across the world!
Youth united in harmony!
Friends across the world!
Let’s come together as friends for peace!

Youth of the world, let’s get together
Young friends as one in harmony
Let’s all join hands as friends forever
Create a new world for all to see...
The song is catchy enough that people in the audience get up to dance in the stands and clap their hands to the beat. By the time Charlie and Desiree finish their instrumental duet, the audience are ready to sing along.
Culture and education are
For not the few but everyone
No matter if we’re near or far
The fight for peace has only begun
Let’s get together for peace today
And show the world a better way...

Friends across the world!
Youth united in harmony!
Friends across the world!
Let’s come together as friends for peace!

Friends across the world!
Youth united in harmony!
Friends across the world!
Let’s come together as friends for peace!
Karen and her dancers come up to the front of the stage, hold hands, and bow together. “Thank you, everybody! I love you all!” she cries out, to a thunderous standing ovation.

On her way backstage to the dressing room, Karen spots Minty and gasps. But Minty is surrounded by hostile bodyguards, publicists, and lawyers, so Karen has no hope of reaching her or even speaking to her. Minty, who once claimed to be a friend, only gives her a sideling look of disdain. Karen stands there stunned. When Shira taps her shoulder, she says, “Wow, I never thought success would go to her head like that.”

Shira smiles ironically. “Hey, when you sell your soul to the Man, your old friends become obstacles to your success. You can’t have no friends in business ’cuz business is war.”

“What am I to her now?”

“Competition. I’ll send you her pre-autotuned voice so you can laugh at it, then I’ll show our Minty friend what competition really is, so she can have something Fresh to bitch about.” Shira disappears into the dressing room, where her makeup artists and costumers (actually, Willa, her sister/Karen’s mother Reva, and Alex) are waiting for her.

Professional choreographers perfectly planned all the moves Minty and her dancers will make. Everything has been planned out perfectly, even the guitar solo. (Karen: “I caught her act on TV the other day. It looks mechanical.” Shira: “That’s ’cuz she’s a cog in the corporate media machine.”) The curtains go up, the dancers run on stage, Minty enters from behind the rear curtain wearing a frilly green dress with a short skirt over green elf boots, and a thousand young female voices scream for her with the volume of millions. (Shira: “I’m afraid I’ll catch diabetes just from listening to her BubbleGum crap, but I gotta stick around if I wanna own the bitch.”)

The pleasant pop bounces. Minty floats her way to the front. Everybody already knows what the song is and sings along so that the combined voices of a thousand girls not old enough for high school drown out the amplified girlish voice of their idol. The name of the song is “Love Revolution,” but the second word in the title signifies only “kewlness”; the actual song is just another standard sappy love song.
We were meant to be together
Since before the start of time
Through the rain and stormy weather
You and me, our hearts combine

We’ll sing our love while our hearts dance
Eternal as the stars above
It’s always time for a true romance
Now we’re living just for love

(Charlie [facepalms]: “Love, dove, above — wuv!” Desiree: “Wuv, wuv, wuv.” Shira laughs. Alex: “Shhh! Hold still.”)

We’re gonna start a love revolution
Every time your lips meet mine
We will create the pure love solution
Forever let our hearts entwine
Backstage, Desiree complains, “Her only two subjects: eternal love and love at first sight.”

Charlie sighs. “The same kinds of songs we used to sing when we were just like her.” Desiree groans.

Shira says, “I can just hear ’em dance ‘kee-yewl.’ It’s all so conformist.”

Charlie stands with her checkerboard Strat slung over her back. “So what are we hitting her back with? ‘Eat My Words’? ‘Trouble Up Ahead’?”

Desiree leans back in her chair. “How about ‘Failure Is the Only Option.’ That should prick her goat.”

“Good choices,” says Shira, “but I’d like to kill the proverbial two birds with one stone.”

“Meaning?”

“Let’s give her a surprise. You rehearse that new song?”
We’re gonna start a love revolution
Every time your lips meet mine
We will create the pure love solution
Forever let our hearts entwine
Nothing can stop our love divine
And we’ll be married for all time

Love — love — love!
The crowd explodes. Minty and her dancers rush off the stage with military precision. The song is cute but unremarkable. What the girls are worshipping is the glamour of celebrity which blots out the person of Minty Fresh. Minty doesn’t have the strength of personality to resist the force of the celebrity Disney Corporation has burdened her with. Shira does, and she plans to use it against her.

The lights go back up for the next five minutes. Shira is preparing for her spectacular entrance. People talk darkly about her and share rumors. What some of them seem to dread most is not so much her chosen style of music (i.e., what the media marketers of the fashion-industrial complex call “hip-pop”) so much as the styles she wears on her body. She is known to prefer styles that flatter her curves. The scandal is not so much that she wears them as the fact that she’s only fifteen.

The theatre lights go down. The curtain opens. The backstage band start to play; the low slow hip-hop beat kicks in, followed by Charlie’s menacing staccato and a gangsterish buzzing punk-funk synth in E minor. The stage lights turn on and go psychedelic. Multicolored streamers and confetti rain down. And then the spotlights converge in white as the fog bomb explodes and Shira emerges out of the thick white vapor holding out her arms in a victory stance — wearing spectacular white-feathered headdress, spiky fashion-punk mirrorshades, spiked black leather minijacket, bladed black leather Batman gloves, spiked black leather bikini, high-heeled steel-buckled black leather combat boots, her trademark cockeyed smile, and video body paint — and at once the boys roar and howl and Shira’s legion of fangirls unleash a collective scream. Cory, Kio, and Dexter step up behind her dressed robo Kato and start dancing the funky robot. Shira sashays up to the microphone, violently swipes it off the stand, and proclaims: “Ladies and gentlemen, welcome to the pop underground!” Charlie rocks the pick down her Strat’s G string, and Shira begins to sing “Melt For Me”:
You step out of your brand new car
The drama queen of the disco scene
You think you know just what you are
You make me scream and fall down to my knees

You’re cold and far like a distant star
You’re so crazy bent and like to torment
You got no idea how hot you are
You don’t know how wet you make me get

I’m the one that you desire
You’re the ice and I’m the fire

I’m too hot for you to handle
I got your key to ecstasy
You and me, we’re a ragin’ scandal
It’s plain to see you melt for me
As Charlie begins a short solo, Shira throws Charmian a wicked wink. Charmian goes cold with shock and horror, then goes hot with rage and screams. She climbs up on stage to attack Shira in a frenzy, and her sisters and their cousin Debbie follow. Lady faints into Lucy’s arms from sheer sensory overload. The song stops and the stage swarms with burly security personnel prying mean girls off Shira and the boys. The non-rocking adults in the audience flee the auditorium in panic as if it were on fire. The fire bringing the house down is, in fact, burning in Shira’s heart; they are unable to handle it and they know it.

Suddenly, the curtain closes and the lights turn back on to reveal a panicked crowd walking all over each other in their desperation to escape. Shira lands on the floor, takes off her headdress, and drops it on the stage. She peeks out through the curtain to witness the chaos. The people who aren’t panicking are calling friends and loved ones on their cellphones; some of them are calling for paramedics. Shira’s head vanishes from in front of the curtain; she goes backstage and puts on a khaki duster coat and ties the sash tight around her waist.

When she emerges from backstage and skips down the steps in to the seats, Shira sees Karen tending to the wounded. “Need any help?”

“Thanks, but the paramedics are here already.” Shira stands up and sees several EMTs and firefighters rushing through the doors to take care of the wounded. The police come soon after.

Later, in the nearby swimming pool locker room, a worried Karen showers as she watches Leila apply the special soap to remove Shira’s video body paint. “I never expected that kind of reaction to something they show all the time on MTV.”

When Leila’s done with Shira, she quickly soaps herself up as Shira spins around in the water stream to wash the last of the special soap and body paint down the drain. Shira says, “Those people don’t watch MTV. They watch the Disney Channel whenever they’re not fixating on Fox News or TBN. They’ve only familiar with the likes of Minty Fresh, and that’s what they have in mind when they think of pop music. They’ve never seen underground pop before. They probably never even heard of Lady Gaga or Rihanna, and they’re not even underground. So when I went all Stylin’ on ’em, they couldn’t handle it, and they panicked.”

As Leila rinses, she says absently, “They reacted as if it were a Rebel Styles video gone live. I should know. Shira showed me hers.”

on to the next...

Back to Chapter 10 index...
Back to Chaos Angel Spanner table of contents...

Copyright © 2011 Dennis Jernberg. Some rights reserved.
Creative Commons License

[Revision 2.0, 8/3/11: Edited to fit Second Revision continuity; text errors corrected.]
[Revision 2.0.1, 8/4/11: All trademark symbols removed as unnecessary; two resulting text corrections.]
[Revision 2.0.2, 10/15/11: Text errors corrected.]
[Revision 3, 10/25/11: Text errors corrected, made one other revision.]

Tuesday, August 2, 2011

Spanner 10.4: Three Cheers for Sweet Revenge

...from previous

Chaos Angel Spanner — Chapter 10: Fashion Meltdown
Part 4: Three Cheers for Sweet Revenge (Revision 3)

25 september 2014.
class time.
Under a full moon shortly after midnight on November 5, 1998, Irish gothpunk singer Suzanne Taylor Brinkman (daughter of Governor Wally, though they have been on strictly screaming terms for years) gave birth to twins fathered by her lover and then-husband, footballer Ian Shelley. First, a beautiful little black-haired baby girl popped out of the womb of Taylor Brinkman. Already she strongly intuited that the newborn would grow up to be an exotic creature, so she gave her the exotic name Leila Renata, blatantly neither Gaelic nor English. An equally beautiful little boy followed her; she named him Robert Louis after her favorite literary Scot whose name is not Byron. (Taylor laughs at the rumor that she named her son after Robert Smith, lead singer of the Cure, whenever it inevitably comes up.)

Taylor Brinkman is the sister of Ariel Shield, a big smoke in the Grail Conspiracy who, ashamed at her neocon father, takes her family name from their scandalous Irish mother. This makes her a Black Princess, descended from Jesus by the female line (or “bar sinister” in the ancient language of heraldry now understood only by historians and Anachronists). The Black Princesses are closely associated with the legendary Holy Grail and are considered by some to be the Grail Family itself. Legendary punk rocker Rat Scabies is more famous today for Rat Scabies and the Holy Grail than he ever was for setting drumkits on fire while playing on stage with the Damned, so of course he became godfather to Taylor’s newborn twins and the redheaded younger sister named Fiona who arrived a year and a half later.

“It sounds weird,” says Leila after explaining it to the rest of Team Bremelo, “but sometimes truth is stranger than fiction, and everything I’ve just said is true.”

“So why are they calling you ‘Eurotrash’?” asks Polly cheerily.

Leila sighs. “Because I sometimes dress, or undress, like my mother. I was never really fond of clothes, actually. I have really sensitive skin, and clothes tend to make me itch or rub me sore. Still, some people take a look at me and judge me by my clothes and don’t even give me a second thought after that. They just throw a label like ‘Eurotrash’ at me and dismiss me as so much shallow ‘trash.’”

“They’re just shallow people themselves,” says Jennifer. “They happen to think they’re deep and other people are shallow, especially people prettier than they are who wear strange clothes, just because they’re higher in the social hierarchy than we are. It’s one of my pet peeves.”

Leila gets out of her chair and goes to Jennifer, who stands up to meet her, and they hug. Shira gets up and hugs her from behind. Stunned at such unaccustomed affection, Leila sighs. “You don’t think I’m ‘trash,’ do you?”

“Of course not, Leila.” Jennifer kisses her on the cheek; Shira then kisses her on the other cheek. “We love you, and we want to be your friends.”

“Thank you. I think I’m falling in love with you already. Not just you and Shira. All of you.” Tears start to form at the corner of Leila’s eyes.

Then Rex Corson rudely interrupts. “Hey, you girls going lesbian on me?”

Team Bremelo all laugh at him hard.

Shira gets control of herself and smirks wickedly. “I think he wants to see a donkey show,” she mocks.

“Let’s get him a six-pack of cerveza and some Tijuana pornos,” adds Cory. “Then he can have a donkey show.”

They laugh even harder. Rex starts to blush in embarrassment. Shira puts her hands on her hips and says to him, “Oh, you prudes. You can’t tell the difference between a friendly hug and a sex show.” She raises her arms in mock frustration. “You people just don’t know how to be friends. You can’t romance, either, which is why you people are so keen on banning divorce, because your marriages all suck.”

Leila inserts herself between flustered Rex and mocking Shira. “I don’t think you’re such a glutton for punishment that you want to get thrashed by us yet again. So I suggest you leave us alone. Okay?” She smiles sweetly to signal that much hurt will be coming his way if he doesn’t.

“Have it your way, Shelley.” Rex hits Leila’s sternum repeatedly with his pointed finger; she doesn’t flinch. “But don’t blame me if you get yourselves into deep, deep doo-doo.” He hurries away.

Shira caresses Leila on the shoulder. “Maybe your sensitive skin doesn’t like clothes, but I’m sure your bare skin loves being stroked by hands.”

Leila laughs. “You’re right! Maybe we can find somewhere more private so you can put your hands on me?”

“Now there’s an idea! Let’s go, lover.” She puts her arm around Leila, kisses her on the lips, and leaves arm in arm with her.

During class time and between classes, Shira and Leila make every excuse to absent themselves so they can make love. During classes, they make love in restrooms and music rooms and behind the drama club scenery; between classes, they make love in janitorial closets and library study rooms. The danger of getting caught only makes it that much more exciting. Even in public situations, they steal kisses every chance they get. They leave no doubt in anybody’s mind but the most clueless that they are an item and there’s nothing they can do about it.

principal’s office. The Principal tells Shira sternly through his smirk, “You know making out is against the Rules. You’ve been pushing it even farther than that, Miss Thomas. It is in fact illegal to make out with someone of your own gender. It is illegal because it is against everything that is moral.”

Shira answers with a mocking look. “I’m sorry to inform you, Mr. Principal, but love has no respect for your arbitrary and irrational prejudices in the form of laws, nor for the Eugenics Institute that enforces them in such terrorist fashion. Besides, would you want to inflict a child on such a notoriously unstable and violent young creature as Leila Shelley? That one partner is a mudblood, the other is a Eurotrash lunatic, and both are pretty women is nothing to Cupid. He only laughs at you pious Real Americans who try to shoot him down. Love is the expression of nature. Poets describe it in terms of chemistry and magnetism. You people’s terrorist attempts to stop it only tell me that you’re trying to create a loveless world. Besides [flashes Incorporation badge], I already bought my Exception years ago, and if it comes to that, I’ll buy one for Leila on her grandfather the Governor’s coin so I can make her my wife and we can be together forever. Got that?”

“Uhh...”

“Glad you agree. Now you will leave us alone and let us be together, or I’ll call my lawyer and you will have trouble indeed. Goodbye, Principal Principal.” She takes Leila in her arms and kisses her gently on the lips. The Principal chuckles nervously; Freddy laughs at him. Then she takes her by the hand and leads her out the door.

lunch. There’s a stage in the cafeteria built for public announcements and the occasional public performance. Rumor whispers of another purpose (public punishment and humiliation), but one does not speak of such things in public.

Charmian’s aristocratic presence graces the stage as she prepares to speak. Shira sneaks up onto the stage by the right-side stairway with a light and fluffy lemon meringue pie in her left hand. Charmian notices the giggles and the “oh my god” expressions, but she doesn’t realize somebody’s there until it’s already too late and a grinning Shira is right behind her. She turns to confront the interloper, but she’s already too late: Shira slams the pie into her face. In the audience: screams, giggles, howls of laughter. Shira hops to the front of the stage and bows to her audience. They cheer and boo. She yells mischievously, “Thank you, thank you! No applause, just money!”

In the hallway after lunch, Charmian and her yes girls barge right in front of Shira. Traces of lemon meringue still stick to the council president’s uniform despite multiple applications of a moist towel. “I hope you know that was gross insubordination, which is quite the punishable offense.”

Shira pretends to whimper like a whipped slave. “Yez, mizza.” The yes girls giggle.

“Shira, I’m serious! I could have you expelled for this! I’ve got connections like you’ll never have!”

Shira dips down knock-kneed, throws her head back, puts the back of her left hand on her forehead, and gasps. “I am pale, Charmian!”

The laughs around them reveal that a growing crowd of students have gathered to watch the school’s princess regnant confront her prankster nemesis yet again, and as usual they are not disappointed. Charmian does not want to entertain the crowd yet again, so she storms off, shouting, “You are so busted again, Thomas!”

Shira yells back, “And I am so getting away with it yet again, Princess!”

locker room. After school, Charmian decides that she doesn’t need a shower, especially with Shira around, and drives her sisters right home in a huff. Shira and Leila have the girls’ locker room all to themselves.

Even before the locker room door closes, they throw off their clothes as fast as they can. Not bothering to pick them up, they race together into the nearest shower up front and turn it on cold. They shriek and giggle as the cold water hits them uncomfortably. They keep it cold till they shiver violently, then turn it up as hot as they can bear it.

They wash each other’s bodies with their hands. But the soap’s really an excuse for them to grope each other all over, attack each other’s erogenous zones, and masturbate each other into a screaming orgasm. Elsie gapes at them in absolute surprise through the window of her office, but does nothing to stop them. She wants to watch.

They take two of the extra soft towels Charmian prefers and dry each other off. Then Shira takes another out of the bin, and they run over to Shira’s locker near the exit, giggling as they admire each other’s bouncing breasts. Shira drapes the towel over the bench. Then she jumps up and down to bounce her breasts so that Leila can see them. “I love female breasts! I love to watch them bounce! Jump, Leila! I wanna see yours bounce too!” Leila jumps up and down so Shira can see her breasts bounce. “Yeah! That’s so beautiful!” They smile huge and giggle and watch each other’s breasts bounce liquidly and tremble with desire for each other. They throw themselves into each other’s embrace and jump up and down and kiss passionately and hard.

Leila lies down onto the towel on the bench. Shira straddles the bench so she can gaze up Leila’s beautiful nude body. “God, Leila, you’re so gorgeous. I want to look at you all the time. Will you swear to me never to wear any clothes when we’re alone together?”

Leila eagerly nods. “Yes! I swear!”

“Of course, that’ll be easy at my place, ’cuz our family make a practice of never wearing anything at home.”

“It’ll be even easier once you know how much I hate clothes. If I could get away with going nude in public all the time, I would.”

“I don’t just love you anymore. I like you.”

“Now hurry up and make love to me before I go mad.”

Shira slides closer to Leila, leans over, grabs her breasts and squeezes them hard repeatedly. Leila squeals and screams in delight. “Yes! Yes!”

Impatiently, Shira says “Aw, fuck it” and gets on top of her, 69. For a whole hour, they make love without stopping, driving each other to ever greater extremes of sexual ecstasy, losing all track of time. Then at the exact same time they decide they’ve had enough for now. Shira spins her body on top of Leila’s till their faces are together and their lips meet and they kiss long and hard.

Elsie clears her throat nearby. They look up and see that she’s already dressed for the talent show. She checks her watch and says, “It’s almost time.”

Shira and Leila gasp. They get up off the bench, take the now drenched towel with them and throw it into the dirty towel bin, rush into the showers but separately so they can clean up quick. They take the first towels they reach for in the bin, dry themselves off quickly, throw those towels into the dirties bin, put their clothes back on as fast as possible, and race out the door toward the auditorium and its dressing rooms.

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Copyright © 2011 Dennis Jernberg. Some rights reserved.
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[Revision 2, 8/2/11.]
[Revision 3, 10/25/11: Text revisions and corrections.]

Monday, August 1, 2011

Spanner 10.3: For Unlawful Carnal Knowledge

...from previous

Chaos Angel Spanner — Chapter 10: Fashion Meltdown
Part 3: For Unlawful Carnal Knowledge (Revision 3)

25 september 2014.
before class.
“I don’t get how this ‘story of a murderer’ affects us,” says Polly.

“Polly darling,” replies Jennifer, “we don’t even have to be affected directly. I’m glad you take it as satire like we do. But I get the sneaking suspicion Herr Süsskind never actually intended it to be satire, not for his intended readership.”

“So who did he intend to read it?”

“Didn’t you pay attention to that last Next Top Model episode? The producers, designers, and photographers were trying to recreate that movie in the ‘serial killer’ shoot. The murderer’s supposed to be their hero, and to them he is. They all wanna be Grenouille. C’mon, he even got the Final Girl.”

“I still don’t see how it affects us women.”

“Here’s a little education for you, Polly: if the guiding trope is ‘La Décadence,’ then anything goes. And if it leads the Fashion-Industrial Complex to protect the likes of Ollie Thorwald, we women are in deep shit. Hi, Shira! [waves] How was the shoot?”

“Hey, at least he didn’t dress me up as something out of a slasher movie.”

Leila sighs. “Why do you subject yourself to such indignity?”

“C’mon, lover, I’m promoting my own product.”

“What’s so wrong with being a model?” asks Polly.

“The Fashion-Industrial Complex,” Leila says, “has a policy of tormenting pretty people into thinking they’re ugly so they think it’s really the makeup and the clients’ products that make ’em look good on camera. That policy’s caused some very beautiful people to commit suicide.”

“But you’re here with us.”

“That’s ’cos when I faced a choice between running away and killing myself, I chose to leave.” Leila puts her arms around Shira. “And I’m so glad I did, too.” She kisses Shira on the lips. Freddy Freakbeak, mounted on top of her backpack, says, “Woooo!”

school lobby. Every morning before the first bell rings, Shira and her friends trade hugs and kisses. This is highly frowned upon by those members of the Church of America who do not belong to or approve of such groups as Promise Keepers, which gets large numbers of Christian men to hug in big sports stadiums. Shira always mentions it whenever the faculty, especially Vice Principal Falconer and the chaplain, try to stop them.

But some of Shira’s friends are what her side likes to call Politically Incorrect. After Shira gets done kissing a series of male friends (Rob, Dexter, Cory, Kio, Steve), she makes a point of glomping Lyssa and giving her a big kiss on the lips. When her girlfriend Chuck sees, she nearly goes ballistic till Shira gestures her to come. Then she puts her arm around Chuck and kisses her too.

Debbie screams. Shira, Lyssa, and Chuck stare at her cousin Charmian’s cute blond enforcer, amazed at the expression of combined horror and anger contorting her pretty face. “What the hell are you doing?!

Shira grins wickedly at Debbie. “You mean like this?

She lets go of her lesbian friends, sweeps Debbie up in a huge embrace, and plants a monster kiss on her lips. Debbie struggles and flails, tries and fails to scream and protest through the kiss, tries to break free while a crowd of shocked students crowds around them. Eventually, her whole body gives up and abandons the protest. She melts into Shira’s body, surrenders to her kiss, unconsciously starts to moan...

Shira finally releases her. Debbie stares at her with shock at what she did to her and horror at the desires her kiss unleashed in her, desires she had been so desperate to hide for so long and which everybody around her can now see... She wants Shira Thomas. Slowly she steps backward.

Hands on her shocked face, Kelly yells, “Oh my God, what are you two doing?!

Debbie stares at her, giggles in embarrassment, says “Nothing, Kelly, just nothing...” — then runs away as fast as she can.

Polly runs up to Shira in a panic, pulling Mimi by the hand and followed by Jennifer. “Have you heard?”

“About what?”

“About that one clique that’s been hanging with some serial killer?”

“I was a little too busy to pay attention.”

“Well, you will now. He just killed one of ’em last night!”

What?!

Suddenly, someone fires gunshots at the front door. Several shots go off. Panic ensues; screaming teenagers flee the lobby and cafeteria, running down the hall to save their lives; Polly and Mimi follow them. A few remain: Shira, Jennifer, the Shelley twins, Dorian, Lucy, Debbie (who rushes back for the action), and a few others.

Shira and Jennifer look at each other. Jennifer says, “Sounds like a gunfight.”

Two men in black ski masks and trench coats burst through the doors, leaving dead security guards behind them. They spot the two girls and point their guns at them. One of them screams incoherent death threats in a voice they recognize as Donald Murphy, one of the lowest ranking losers in the Tournament; his companion, they all immediately deduce, can only be his inseparable friend Ronald Tremayne, son of the late Shepherd Ward Tremayne, who never got over the horror of his death by Rebel Styles. Shira says, “It is a gunfight.”

“Let’s end it before our friends here do.” Jennifer glances sideways, implying Leila, Rob, and Debbie.

“Gotcha!” Shira flits out of view and appears right in front of Ron and Don as if from out of nowhere. She fixes them with a hard gaze, holds out her left hand in a “Stop!” gesture, and commands: “Hold everything! Stop right there and don’t y’all move!”

Ron and Don freeze in place. They try to move, but they can’t. They try to point their guns at Shira and squeeze the triggers, but they can’t. They’re completely motionless, and helpless.

Dorian gasps. Jennifer takes off her glasses to see what astonishes Dorian. Her Charmer cousin is projecting a reality distortion field so powerful that she can see it. Debbie asks, “What’s she doing?”

“She’s a Charmer. She’s casting geasa.” Debbie covers her mouth involuntarily and gulps hard.

“Drop your guns.” Ron and Don drop their guns. “All of ’em!” They take off their trench coats, which are loaded with guns and bombs. Then they remove holsters, bandoliers, anything that bears weapons. They wear black T-shirts, jeans, and combat boots. Dorian runs in and starts picking up discarded weapons; she gestures to the others, and except for Shira they help her take weapons away from Ron and Don. The Tournament losers are now disarmed, helpless, and quivering in terror at Shira’s power over them.

Shira paces slowly in front of the two boys, never keeping her eyes off them. They squirm but cannot move. A mischievous cockeyed smirk grows onto Shira’s face. They twitch nervously. She says, “Piss.”

Their bladders obey her command. The crotches of their black jeans go wet; the urine stains spread, and eventually drip. Shira revels in their suffering. Lucy runs away to shout the news; she comes back with a small group of students that quickly grows into a small crowd, all laughing at the predicament of the two who had come to massacre them. It ends only when their bladders are completely empty. Then Shira’s smirk becomes a wicked grin.

Ron whimpers, “Oh no...”

“Shit,” she commands.

The sound, the smell, and the pained look on Ron and Don’s faces betray that their colons are as obedient to her command as their bladders were. Diarrhea explodes out of Ron, staining his pants brown. Several girls hold their noses and cry out “Ew!” Lucy and other more squeamish girls flee the scene. The remaining jocks and princesses laugh.

“Now lie down on the floor and remain calm.” Ron and Don resist her command with all their might, but their bodies obediently climb down onto the floor and lie down, their legs together and their arms at their sides. Shira points down at them and orders, “Don’t you move a muscle till the nice policeman snaps his fingers.” They go rigid as if they had gone catatonic.

Several students laugh loud and cheer Shira’s victory. Debbie runs over to kick and slap them quiet, but Shira grabs her, spins her around, and says sternly, “Oh, no you don’t.” Debbie glares at her, flinches when she remembers Shira’s kiss, then stomps away in frustration, leaving in the direction Lucy and her friends went. Shira throws a hard glance at the others; they go silent and slink away.

Scotty Waters comes over to Shira grinning and says, “Why didn’t you tell ’em to ‘fuck’?” She throws him an annoyed look over her shoulder, rolls her eyes, and casually walks away. Freddy says, “Wotta maroon.”

Embarrassed, Scotty runs after the others. Everybody leaves Ron and Don to their fate.

on to the next...

Back to Chapter 10 index...
Back to Chaos Angel Spanner table of contents...

Copyright © 2011 Dennis Jernberg. Some rights reserved.
Creative Commons License

[Revision 2, 8/1/11.]
[Revision 3, 10/6/11: Added Leila dialogue concerning her bad experiences as a fashion model.]
[Revision 3.1, 10/23/11: Edited to fit new Third Revision continuity and for style and clarity, corrected text errors.]