Guest starring the clone-resurrected Walt Disney and Japanese Prime Minister Sony Corporation! With visual shout-outs to left-handed anime bass girls Mio Akiyama and Haruko Haruhara by left-handed bassist Rebel Styles. Sony makes its appearance in the form of a 900-foot Screen Gems logo (Screen Gems being, of course, a Sony division). With these additions, and heavy bromantic vibes between IP Defender Martin Martian and his adoring assistant (and later "widow") R. A. "Legs" Leggett (a villain from Chapters 4, 6, and 11), the brand new Spanner Interlude 3, "One Nation Under Copyright, All Rights Reserved", is now complete, and it's cyberpunk as hell!
Now Rebel wields a mean bass in addition to the illegal mons stored in a pair of terabyte Poké-Ball earrings. It's got five strings, it's connected to first a pair and then an array of sound cannons, and it's illegally not registered to Fender owner Sony. Now the slayer-by-television of half the Conservative Revolutionary Party leadership can more than hold her own against two of the Intellectual Property Industry's deadliest enforcers.
Disney will not get any characterization. He gets a line, but it's the standard ritual stuff you hear from Richard Becket, who is characterized, mainly because he has to deal with tricky, tricky Shira in the main story and gets his ego bruised repeatedly. Oh, and because Dick Becket's an aging superhero with a god complex. As for Sony, it's important because it holds political office like US President Goldman Sachs & Company and UK Prime Minister News Corporation, only it owns a much cooler and scarier logo, the Screen Gems "S From Hell".
Now that the single most cyberpunk of the Interludes in Spanner (at least in Book 1) is finished, my next challenge is Chapter 1. First task at hand: the meeting at Mudlark House, in which several important characters try to hammer out a strategy against the Seattle Public Education Corporation and its owner, a thoroughly corrupted national teachers' union, on the last day before the School Arc begins in Chapter 5.